Some guitars settle down. This one packs a bag. The Nomad is our love letter to the restless soul. Built for the players who never met a green room they didn't outgrow or a stage they didn’t own.

Wrapped in an Aged Cherry nitro lacquer finish with a light relic, this guitar has a few stories to tell, but is dying to make more.

A medium-chunky neck fills the palm of your hands but still lets you move around the fretboard with ease. The Kluson Deluxe tuners and a hand-cut bone nut work together so your tuning stays put even if you don't.

The body borrows its silhouette from the classic Guild S-100 playbook, then updates it for a player who actually gigs. Light, balanced, and built to take a beating. Don't let the single Lollar DC-90 fool you, this ain’t no one trick pony. Paired with CTS 500k volume and tone pots and fully shielded electronics, this P90-style powerhouse goes from thick and throaty to snarling and biting with a flick of the wrist. All with no hum in sight.

Unplugged, it sings. An African Mahogany body meets a Faber wraparound bridge with locking bridge posts, transferring every ounce of vibration straight into tone you can feel through the floor.

Hard rock, blues, punk, smooth jazz. The Nomad doesn't pick sides, it just picks up and heads to the next show.

African Mahogany 2pc body, 1-3/8” total body thickness 
African Mahogany 1pc quartersawn neck
Kluson Deluxe tuners
Lollar DC-90 Pickup (12.3K)
Faber wraparound bridge
1ply black pickguard
Full electronic shielding
500k cts pots
switchcraft output jack
Dunlop strap locks
Indian Rosewood fretboard with 22 frets, 24.625” scale
Jescar medium jumbo fret wire – .104” wide x .047” high
Neck back profile is Medium – 1st Fret .875″ / 12th fret .975″
1-11/16” nut width
12″ fretboard radius
Hand carved bone nut

approximately 6.75lbs - your scale may vary

This Guitar Ships in a Mono M80 Guitar Sleeve

This Riley Guitars Cub V bass is a modern classic, sporting a vintage styling and unique finish. Designed to provide a simple platform to get a multitude of classic bass tones, feel, and vibes, with a modern playability that is unrivaled my most, At a cost that is rarely seen with instruments made in the USA

Unrelenting punch from the classic alder body, paired with the unrelenting tones of the Bartolini P2 pickup, and an NTMB preamp, this bass truly sings. Notice the distinct lack of outside interference with its fully shielded electronics cavity. The Hipshot Ultralite Tuners, and a hand cut bone nut provide incredible tuning stability. The Hipshot A style bridge ensures perfect intonation and sustain.

Its Nitro Laquer relic finish, delivers an incredible aesthetic that any player would want to be seen with, while providing excellent tones and durability on the road or at home. 

This Instrument Ships with a Mono M80 Bass Sleeve case included in sale price

Alder body, 1-3/4” total body thickness 
Maple neck
Hipshot Ultralite Clover Tuners
Bartolini P2 pickup with NTMB preamp
Hipshot A bridge 17.5mm spacing
50k pots with Volume, Mid, and a stacked treble and bass control
switchcraft output jack
Dunlop strap locks
Maple fretboard with 20 frets, 34” scale
Dunlop 6100 Fretwire– .110” wide x .055” high
1.75” nut width
12″ fretboard radius
Hand carved bone nut

Some guitars stay landlocked. This one's already checking the tide report. This Super '58 in Surf Green is built for salty air and sunset sessions, low-key cool with a little bit of danger lurking beneath.

It's finished in a Surf Green nitro lacquer that looks like it was mixed straight out of the shallows. The medium neck glides easy, built for players who like to hang loose but still stick the landing.

Gotoh Mini tuners and a hand-cut bone nut keep things steady, no matter how choppy the set gets. The offset body keeps the classic shape but waxes it up with modern touches for a player who's always paddling toward the next wave.

The Razor vintage-wound Jazzmaster pickup set brings that unmistakable jangle and growl, warm on the mellow rides and gnarly when you drop in hard, backed by American-made CTS pots and American components in the rhythm circuit for tone that never wipes out.

Unplugged, it still rolls. An alder body meets a Hipshot two-point tremolo, letting every bend curl and break just like the real thing.

Hard rock, blues, smooth jazz. The Super '58 doesn't wait for perfect conditions, it just paddles out. Cowabunga!

Alder body
Roasted Maple fingerboard with dot inlays
Gotoh mini tuners 18:1
Razor Pickup set
Hipshot contour tremolo floating bridge
3ply Parchment pickguard
CTS pots
switchcraft output jack and switches
Dunlop strap Buttons
22 frets, 25.5” scale
Jescar jumbo fret wire – .110” wide x .057” high
Neck back profile is Medium C Riley custom
1-11/16” nut width
12″ fretboard radius
Hand carved bone nut

Mono M80 2.0 sleeve case

8lbs 0oz

***This item is a B-stock unit. There is a blemish in the finish of the head stock. The price reflects this imperfection. ***

Some basses just hold down the low end. This one's built to set a lap record. The Cub V in Tangerine Metallic is tuned for one thing: precision at speed, down to the last gear.

It's finished in Tangerine Metallic with a matching headstock, bodywork sprayed to turn heads in the paddock. An alder body in a P-style shape keeps the chassis light and responsive, bolted to the neck for maximum power transfer with zero flex.

The slim C-profile maple neck is built for fast hands, with a rosewood fingerboard running 20 frets deep. Leo Quan Badass OGT Mini tuners and a hand-cut bone nut keep everything locked to the line, lap after lap.

Under the hood, a Seymour Duncan Phase II active pickup and Bartolini NTMB preamp give you full control of the powerband, one volume, one middle, and a stacked bass/treble pot putting the whole tuning map at your fingertips. Fully shielded electronics mean the signal stays clean even at full throttle.

The Badass Bass V bridge in black locks everything down at the finish line, intonation precise enough to pass tech inspection every time. At 9.8 lbs, it's built light without sacrificing an ounce of structural integrity, USA-made, premium spec, built for players who only race to win.

Low end that hits the apex every time. The Cub V doesn't just keep pace, it sets it.

Comes with the Mono M80 Bass Sleeve 2.0

Some guitars idle quiet in the garage. This one’s ripping doughnuts in the Wal-mart parking lot at 2am. This Super '58 in Charcoal Frost is all low growl and blacked-out attitude, built for redlining.

It's finished in a Charcoal Frost nitro that catches the streetlight just enough to know it's there. The C-shape neck runs smooth and fast, geared for players who like to open it up on the straightaway.

Hipshot tuners and a hand-cut bone nut hold everything steady at full throttle. The offset body keeps the classic lines but tunes it up with modern touches, built for a player who wants a workhorse under the hood, not a show pony.

The Razor Screambucker set brings serious horsepower, plenty of low-end torque with a top end that still screams when you floor it, run through American-made CTS pots that keep the power clean all the way to redline.

Unplugged, it still rumbles. A swamp ash body meets a Tune-O-Matic bridge, delivering every note straight to the pavement with zero wasted energy.

Hard rock, blues, punk, metal. This guitar has its pedal pinned to the floor.

Swamp Ash body
Mahogany Neck/rosewood fingerboard with cream dot inlays
Hipshot open gear locking tuners
Razor Pickup set
Tone pros bridge and tailpiece
Black/White/Black pickguard
CTS pots
switchcraft output jack and switch
Dunlop strap Buttons
Indian Rosewood fretboard with 22 frets, 25.5” scale
Jescar jumbo fret wire – .110” wide x .057” high
Neck back profile is Medium "C"
1-11/16” nut width
12″ fretboard radius
Hand carved bone nut

6lbs 14oz - your scale may vary

Some guitars play it straight. This one keeps you out past your bedtime. The Ranger belongs in the back booth of a club that doesn't have a sign out front, next to a drink you can't quite name and company you probably shouldn't trust.

It's finished in Dark Walnut nitro under a AAAA flame maple top that catches just enough light to be dangerous. The semi-hollow one-piece mahogany body breathes like the room it's meant for, smoky and a little too warm.

The C-shape neck moves easy, low-lit and unhurried. Gotoh tuners and a hand-cut bone nut keep everything honest, no matter how the night goes.

The shape tips its hat to the classic ES lineup, then loosens the collar with a few modern touches built for a player who works the late set. The Lollar Imperial humbuckers aren't shy about it either, an award-winning set that slides from a low, sly growl to a cutting snarl without raising its voice, run clean through American-made CTS pots.

Unplugged, it still talks. Mahogany and maple meet a Tune-O-Matic bridge and Bigsby tailpiece, so every bent note gets a little shiver on the way out.

Hard rock, blues, smooth jazz. The Ranger doesn't ask who you came with, it just makes sure you leave with a good story.

Guitar ships in a Mono M80 V2 sleeve case
Mahogany/Maple body
Mahogany/Rosewood neck and fingerboard with cream dot inlays
Gotoh Mini tuners
Lollar Imperial Standard wind pickups
Tone pros bridge w bigsby B5 tremolo system mounted with vibramate no hole system
CTS pots
switchcraft output jack
Dunlop strap Buttons
22 frets, 25.5” scale
Jescar jumbo fret wire – .110” wide x .057” high
Neck back profile is Medium "C"
1-11/16” nut width
12″ fretboard radius
Hand carved bone nut

Some guitars whisper. This one's got a hair-metal scream built right in. The S Plus is all Sunset Strip swagger, spandex-tight and ready to shred under the neon signs.

It's finished in a Raw Ice Blue metallic that looks like it walked straight off an '80s tour poster. The satin-finished C-profile roasted maple neck is fast under your fingers, made for players who never met a solo they didn't want to finish with their teeth.

Gotoh locking tuners and a hand-cut bone nut keep it dialed in through every dive bomb and back for more. The body takes the classic S-style shape and cranks the volume with modern upgrades, built for a player who lives for the encore.

The MIJ Razor humbucking set brings the firepower, thick enough for arena-sized riffs and articulate enough to still say something when you slow it down, all wired through American-made CTS pots that keep the tone honest even when you're not.

Unplugged, it still struts. A chambered swamp ash body meets a Hipshot two-point tremolo, so every whammy dive lands with maximum drama and just enough chaos.

Any genre you throw at it, the S Plus meets it head-on, hairspray and all.

This guitar ships in a Mono M80 case included in sale price
Gotoh locking staggered tuners
Razor Humbucker Pickup set
Hipshot contour tremolo floating bridge
CTS pots
switchcraft output jack
Dunlop strap Buttons
2 piece Roasted maple neck with 22 frets, 25.5” scale
Jescar jumbo fret wire – .108” wide x .051” high
Neck back profile is Medium – 1st Fret .805" - 12th fret .900"
1-11/16” nut width
12″ fretboard radius
Hand carved bone nut